This original 4" x 4" graphite pencil drawing once matted and shrink wrapped will be available for $20.00.
Thank you for looking at my artwork.
Fine art paintings of horses, dogs, and nature in watercolour, acrylic, pastel and pencil by Susan Sydney. Nationally recognized for her How to Draw Horses column in Horse Talk magazine. All Copyrights Reserved © 2010-2023 S. Sydney




Once again using the left over paint on my palette I painted in backgrounds on a couple of 5" x 7" canvas panels.
 
The opening of the Buckhorn Artists' Group show at KAGS was fairly well attended despite the weather.
 
 
 
My ginger tom, Junkyard came back from one of his wandering trips with an injured left front paw and is hobbling around.
Winter still is not ready to let go its hold; we are starting the day off with strong winds and heavy snow falling.
 I pulled these three sketches out and did a little work putting some ink on each of them. 
 
 
 
It is one that had something wrong with it and had been cut down.

 
Even though there were storm warnings of freezing rain, we were fortunate that there was only a little bit of rain in the morning and the temperatures were slow in dropping so we didn't end up with a flash freeze.

 
I decided not going to go into the still life class today at KAGS, instead Idid a lot of the work around the house as well as finding a little time to do a bit of work on the piece I had started last week (see posting on 06 March 2014).
I worked on this drawing of a Thoroughbred foal that a friend had at her stable.
We started with painting the evening sky with a thicker paint of cadmium yellow, lemon yellow and white.
A mixture of white, cerulean blue with a touch of alizarin crimson and added it to the tops of the background trees and giving them a few of them a little definition. 
Using the two blues, burnt sienna, and raw sienna the main tree trunks were painted being sure to leave a little of the cadmium red under paint showing through to allow a warm to the painting. 
While taking acrylic classes with Gail Hawkins last month at KAGS she showed the class at the end of the day that rather than throw out the paint she has left over she uses it to put the background colour onto a canvas.
 
 
While most of the class worked in oil with Lucy, there were three of us who preferred to work in acrylic.
Using French ultramarine blue and cadmium yellow the needles were put onto the main tree branches and then the sunlit areas were indicated with lemon yellow in the needles.
The same colours were used for the snow shadows in the foreground.
We had two separate displays which were needed since we had a fairly large class this morning.
Rather than taking the time to carefully draw out very detailed daisies and then masking them with a liquid friskit; we changed things around and did the daisies in a looser style more toward the abstract. 
Then the tape was pressed down firmly onto the paper to prevent the paint bleeding under the tape.
With a dark of French ultramarine blue and burnt sienna I put in some dead tree trunks and a few branches on the larger trees.