
Using French ultramarine blue and a touch of alizarin crimson I started at the bottom of both paintings so they would have similar colours and I could work back and forth between the two pieces at the same time.
Abstract A

Next I changed the various shapes as well as the mixtures of blue and red and softened some of the colours as I painted by adding more water.
I added a little bit of pure cobalt blue to the bottom of each piece as well.
Abstract B
I had planned on doing more to these two paintings but had unexpected company arrive.
I will post each of these paintings as more work on them is completed.