
The paper was left to dry completely, then washes of alizarin crimson and raw sienna were painted into the sky for the colours I see in the skies here and once again the painting was left to dry completely.
With a mixture of French ultramarine blue, burnt sienna and a touch of alizarin crimson for a dark I started painting in the one of the more detailed treetops.
I will post this painting at a later date when I have more completed on it.
Thank you for taking the time to visit my blog and enjoy the artwork. I hope you will return often.