
Using a darker mixture with more cadmium yellow and white toward the top of the sky and gradually changing the mix to more of the lemon yellow than cadmium in the middle and toward the bottom.
A few small areas of lemon yellow and white were used to indicate where the sun is located.

Then French ultramarine blue, burnt sienna and lemon yellow, the dark trees in the background were put in, which pushed the bright light green trees forward.
A few indistinct trunks were added at this time in the background as well as a larger dead tree trunk into the foreground.

The pine needles were applied using various mixtures of the two blues, burnt sienna, raw sienna and the two yellows.
This is the first of three painting that will be donated to the Canvas Confidential fund raiser for the Lindsay Gallery.