A flat wash of French ultramarine blue was poured onto the paper and rolled around and left to dry.
The next colour to be poured the paper was new gamboge into the bottom of the painting. Followed by a mixture of raw sienna and Antwerp blue, which was rolled around on the paper and then with the flat brush tree shapes were made as well as a few grass shapes in the lower right hand corner.
Finally a mixture of French ultramarine blue and alizarin crimson was poured onto the paper and made into more tree shapes. As the paint was drying and using the slanted end of the handle of the flat brush "dead" trees were lifted out from the paint by scraping.
If you would like more information about OSWOA please go to my post on 12 March 2010.
The OSWOA shown here is an original watercolour painting using Artist quality Winsor & Newton paint on 140lb. Arches 100% rag, acid free watercolour paper. It is available for $30.00 and sold unframed.
