Showing posts with label rural. Show all posts
Showing posts with label rural. Show all posts

Tuesday, January 2, 2018

Barn IX

The nice thing about today is that at least the severe cold is over for now and all I had was a few snow flurries as I went to Extendicare in Peterborough to take down my exhibit.

When I returned home I decided to work on this drawing That I have been working on over a number of years (see posts on 28 September 2013, 15 May 2016, 06 April, 20 August and 09 October 2017).

First I put in the large maple tree in front of the hay barn, followed by the hill and the fence line behind the barn.














Next I worked on the hay barn, starting with the tin roof and followed by the barn boards on the building.

This was followed by putting in the large round hay bales being stored in the barn.

Lastly, I added the birch trees to the left of the hay barn and put in the grasses and growies in front of them and in front of the hay barn.

This original 5-1/4" x 9” pen and ink drawing when matted and shrink wrapped will be available for $45.00.

Monday, October 23, 2017

Rural Outlook Exhibit

Today my co-conveners Cindy Allan and Norma MacEachern and I measured out the wall space in the Gallery for each of the fourteen exhibitors and then we could start hanging our work in our assigned spaces.















The first thing I did was hanging my featured painting in the centre of my space and then set out paintings on the floor to fill the remaining space.













It took a little while to get the paintings hung on the wall, when I realized that I need another painting to balance my display.

I put the tablecloth on my table and then headed home to get a couple more small paintings to see which one would make a good fit on the wall.

When I returned I finished hanging the paintings on the wall and made up the name cards.

I cleaned the glass on the paintings to remove any finger prints.

Next I picked up all the cartons and put them out in the car to take back home.















I then brought in my print rack from the car and placed it on the table.















Lastly, I sorted the matted and shrink wrapped paintings and put them in the print rack.















Now it was time to go home and relax.

Tuesday, October 10, 2017

Rural Outlook - A Work in Progress

Today I was painting with the Buckhorn Tuesday Painting Group and for a change decided to work in acrylic on canvas.

I used various mixtures of Hansa yellow, burnt sienna and Grumbacher red for the sky.

With cobalt blue and various mixes of the sky colours I painted in the fields starting with the one furthest away and gradually moving until the foreground field was complete.

Using various red, yellow and burnt sienna mixtures I put in the trees against the sky and the larger one behind the barn.














With mixtures of burnt sienna and cobalt blue I put in the roadway to the barn and added the fence rails on the far side of the roadway.

Next I put in the red barns, the one on the hilltop and the other one in the foreground and then I added a little titanium white to the road mixture and put on the barn roofs and the under paint for the closer fence posts.

I will post this painting later once I have completed the fence and decided if I would put people walking to the barn to start their morning chores.

Thank you for taking the time to visit my blog and look at the artwork. I hope you will return often.

Wednesday, August 19, 2015

ACEO - Massey Ferguson 1

The continuing hot weather 85F (29.4C) seems to keep people away from the show and in the coolness of their homes, but fortunately for us there was a nice breeze blowing which kept things from becoming feeling the humidity 100F (37.8C).

I thought I would work on this painting that I had started a number of years ago (see posts on 02 July 2012 and 09 July 2015).

Using various greys made from mixtures of French ultramarine blue, Antwerp blue and burnt sienna I finished painting in the engine.

Then I finished the small areas of red on the tractor with a mixture of cadmium red and alizarin crimson.

Lastly, I put in a rail fence behind the tractor, with some of the grey mixtures I used on the engine.














If you would like more information about ACEO please go to my post on 11 March 2010.

The ACEO shown here is an original watercolour painting using Artist quality Winsor & Newton paint on 300lb. Arches 100% rag, acid free watercolour paper. It is priced at $65.00 and sold framed. SOLD

Small items were sold by Diane Collins.

The hours for our show are:
19 Aug 15 - 10:00am - 4:00pm
20 Aug 15 - 10:00am - 4:00pm
21 Aug 15 - 10:00am - 4:00pm
22 Aug 15 - 10:00am - 4:00pm
23 Aug 15 - 12:30pm - 4:00pm

Please come out and enjoy the artwork displayed at our show.

Saturday, November 30, 2013

Long Shadows 1-3

Looking out the window at the long cast shadows from the trees running across the snow on the front lawn I thought I should take some photographs and do a few sketches as reference drawing for future paintings.















Long Shadows 1

For the first drawing I used the two maple trees on either side of the front gate and ran the shadows along the snow.














Long Shadows 2

For the second drawing I used the maple tree and some of the young beech trees along the north section of the track.














Long Shadows 3

For my last drawing I did the house from the road side of the front gate looking down the driveway toward the house.

Monday, March 4, 2013

ACEO - Winter Peace 2

I pulled out another of the background paintings that I had started last year (see post on 28 October 2012), this one was called Blue Sky L.

Even though spring will officially begin later this month I decided that the painting would make a nice snow scene. I drew in the main trees and fence posts for a wire fence first.

These kinds of paintings lend themselves to being painted with a limited palette of three colours: French ultramarine blue, burnt sienna and raw sienna.

For the grey tones in the fence posts and tree trunks I used mixtures of French ultramarine blue and burnt sienna.

With pure burnt sienna I ran the two strands of wire fence between the fence posts.














With various mixtures of the three colours I painted in the grasses and growies at the base of the tree trunks and fence posts.

Lastly I added a few leaves onto some of the branches of the trees with various mixtures of burnt sienna and raw sienna.

If you would like more information about ACEO please go to my post on 11 March 2010.

The ACEO shown here is an original watercolour painting using Artist quality Winsor & Newton paint on 300lb. Arches 100% rag, acid free watercolour paper. It is priced at $20.00 and sold unframed.