Showing posts with label Lucy Manley. Show all posts
Showing posts with label Lucy Manley. Show all posts

Monday, March 7, 2016

Backyards - A Work in Progress

It is a nice mild day with the temperature at 47F (8.3C) and the ice on the driveway starting to melt.

We are having the second to last workshop with Lucy Manley and are going to do a street scene on black canvas using a mosaic style of painting.

I was supposed to do a painting last year (see post on 19 October 2015) but was unable to start painting in that style as I had to leave early.

I already had a couple of canvases painted black and used this one called Background 52 (see post on 21 October 2015) from that workshop.

The outlines of the buildings were sketched onto the canvas using cadmium red.

Since the background was already the darkest dark we started the painting with the lightest light, in this case titanium white for the sunlit snow, the white window frames and the clouds.

Adding Cerulean blue to the white for the next lightest colour, the snow and the brightest part of the sky were indicated.















For the next darker colour ultramarine blue as added to the white for the darker area of the sky and the cast shadows in the snow.

The background trees were indicated with various mixtures of cadmium red, cadmium yellow, white and a small amount of alizarin crimson.

Next was to start painting in the various buildings. Using the tree colour and adding a little ultramarine blue to grey the colour, the larger background house was painted and then the shadow under the eaves of the garage, the small area of roof from the house and the smaller shed in front of the garage.

Adding a little more white to the grey a few highlights were added to the larger house and the shadowed side of the garage was painted.

After adding a little more white to the grey mix, the sunlit side of the garage was completed.

Lastly a mix of raw sienna, burnt sienna and white was used to indicate the front of the house across the street on the right side of the painting.

I will post this painting at a later date once I have completed more work on the various buildings.

Thank you for taking the time to visit my blog and enjoy the artwork.

Thursday, January 28, 2016

Sunlit Birches - A Work in Progress

Today I couldn't get motivated to go down into Peterborough to KAGS for the Still Life class; especially since we had freezing rain overnight and it is going to snow all day and the temperature is 0F (-17.8C) and with the wind chill it feels like -12F (-24.4C).

Instead I decided to do some more work on this painting that I had started earlier this week (see post on 25 January 2016) in the Lucy Manley workshop.

I started in on the sky and added a slightly darker layer of colour into the sky using titanium white, burnt sienna and raw sienna.

Next I touched up the tops of the distant trees on the top of the hill against the sky using various mixtures of ultramarine blue, Cerulean blue, raw sienna, burnt sienna and Hansa yellow.

Using ultramarine blue with a touch of white I darkened the shadows from the main tree and added shadows into the foreground from trees that are outside of the painting.

I added another layer of pure titanium white to the high lit areas of the snow drift against the main tree trunk.

Next I wanted to work on the main birch tree in the foreground.

With the sunlight coming from the left side of the painting I put in the brightest highlights on the right side of the birch tree.

I started with titanium white and added a touch of Hansa yellow to warm it and put this colour in a few areas first.

Next I added a little raw sienna to the mix and worked on the next darker highlight on the left side and toward the center of the trunk.

Then a small amount of burnt sienna was added to darken the mix slightly for areas where the bark has pealed or been damaged.

On the shadowed side of the tree I used white and various mixtures of ultramarine blue, Cerulean blue, burnt sienna, and alizarin crimson.

With a small amount of the second brightest highlight colour I put a mark on the second largest tree as a guide for when I paint that tree on another day as the brightest value.

With not having very much more time to work on the painting I went to the small birch tree in the background and painted it with the blue grey shadow colours.

I will post this painting at a later date once I paint the second largest birch tree.

Thank you for taking the time to visit my blog and look at the artwork.

Monday, January 25, 2016

Sunlit Birches - A Work in Progress

For me today was a busy day at KAGS.

In the morning we had the acrylic workshop with Lucy Manley where we did a forest scene in the winter and the afternoon was taken up with the Executive meeting.

Using raw sienna as an under paint to give a warm tone to the painting which will show through in some areas.

Next with cadmium red the main trees were indicated using a deeper tone with more detail.

Less detail and a lighter wash of colour was used for the further back trees in the forest.

The main shadows were then indicated as well as the thicker forest on the top of the hill.

The darkest colour was indicated with a mixture of ultramarine blue, burnt sienna and alizarin crimson.

The background trees on the top of the hill were painted in using mixtures of Hansa yellow, ultramarine blue and cerulean blue.

The areas of the brightest sunlit snow were put in with pure titanium white.

The sky was a mixture of titanium white and cadmium red.

The background snow which is mainly in shadow was put in with titanium white, ultramarine blue and a hint of cadmium red.

The darkest shadow which is of the large foreground tree was put in with ultramarine blue and white.

The next darkest shadows were of the second and third largest trees using cerulean blue and white.

The remaining shadows were put in though out the areas of high lit snow using various mixtures of titanium white, ultramarine blue, cerulean blue and with a little bit of burnt sienna and alizarin crimson.

I will post this painting at a later date once more work on it has been completed.

Thank you for taking the time to visit my blog and enjoy the artwork. I hope you will return often.

Monday, October 19, 2015

Moonlight Island - A Work in Progress

It is another day with a hard frost in the morning and the temperature again below freezing. I think it is just a little early in the season to find a thin layer of ice on the top of the water trough for the horses; but tomorrow is supposed to be warmer and raining.

In the Lucy Manley workshop today at KAGS we were doing mosaic paintings.

For this we either used a black canvas or painted a canvas totally with black paint as a base coat for the painting.

I painted three canvases black while I waited for the first canvas to dry before I could start the next step.

Finally, I lightly painted the outline of the main trees trunks, branches, rocks, reflections in the water and background hills on the horizon line using Grumbacher red.

I wasn't able to do much more on the painting in this class as I had to leave early to go to a meeting.

I am looking forward to trying this technique at a later date and I will post this painting again as more work on it is completed.

Thank you for taking the time to visit my blog and look at the artwork.

Monday, February 23, 2015

Spring Thaw I - A Work in Progress

Today I was at the Kawartha Artists; Gallery and Studio for the second half of the Lucy Manley class for the month of February.

The first thing was to paint in the sky to using various mixtures of mainly Titanium white, with a touch of lemon yellow and another of the same mix with cadmium yellow added.

The lighter mixture was put into the top of the sky while the darker one was put into the lower areas of the sky.















Next using Titanium white with French ultramarine blue and a touch of raw sienna area of frost touched branches were put into the background trees.

Various shades of green were mixed using French ultramarine blue, raw sienna, lemon yellow and Cadmium yellow and applied to the cedar trees.














Once the cedar trees were completed a mix of Titanium white, French ultramarine blue and alizarin crimson and applied to give a little more detail to the frost covered brush in front of the background cedars which completed the left side of the background.

I will post this painting at a later date once I complete the background on the right side of the painting.














Thank you for taking the time to visit my blog and look at the artwork.