
I will post this painting at a later date as more work is completed on the stuffed toys.
Thank you for looking at my artwork.
Fine art paintings of horses, dogs, and nature in watercolour, acrylic, pastel and pencil by Susan Sydney. Nationally recognized for her How to Draw Horses column in Horse Talk magazine. All Copyrights Reserved © 2010-2023 S. Sydney

Today I did another fourteen sketches of koi for the painting called Koi Pond that I had started as an abstract showing movement in a class I took in the spring (see post on 21 May 2014).
It is so nice having Ron home during the early part of the week as we can get away and go out in the canoe when the lakes aren't as busy with all the weekend cottagers.
It wasn't very far away, especially with the chance of rain in the forecast; we didn't want to spend our time driving instead of being out on the water.
What I enjoyed was exploring the irregular shoreline and the many small bays and inlets. 
While going around the back part of the island I had to keep a sharp eye out for submerged logs and rock shoals just below the surface of the water. It was very weedy but it had a multitude both the yellow and the white lily pads.
I was fortunate to be able to get photographs of a Great Blue Heron fishing near the shore and took as many photographs as possible until we got too close and he flew further down the lake.

 
 

 
 
 

 

 







 
 
 
 
Once again I used masking tape as a resist to create the daisies where I wanted the white of the paper to show. 
I mixed various dark colours using Antwerp blue, French ultramarine blue, burnt sienna, raw sienna, Cobalt blue, Payne's grey and alizarin crimson. 


In this box I came across one of my early watercolour paintings that I did with my first set of Grumbacher watercolours. I would have been 10 years old at the time.
Today I printed out a copy of Koi Pond (see post on 21 May 2014) and worked on sketches of Koi on tracing paper to fit this smaller version.
 I picked two of the sketches and transferred them onto small pieces of watercolour paper and I will experiment with the various colours, colour patterns and scale textures.
The ships came into port all day on the Friday and were tied up at the dock on Saturday and Sunday for tourists to take pictures and in some cases they could go aboard them.
It was amazing to see how low the interiors of the older vessels were and without windows below the deck they were little more than dark holes with the living conditions being minimal at best.