Mailbox 2 - A Work in Progress

I decided to do a little more work on this painting that I had started quite some time ago (see posts on 20 February 2012 and 14 December 2015).

I wanted to put the trees onto the distant hills, but before I could do that I lifted some lighter areas out of the snow with water.

The furthest back trees were put in using mixes of Antwerp blue and raw sienna.













The closer trees on the next hill were mixtures of Antwerp blue, French ultramarine blue and raw sienna.

Next I lightened the snow covered area on the top of the mail box.

I will work on this painting again and post it at a later date.

Toadstools 1-3 - Three Works in Progress

Today I painted with the Buckhorn Tuesday Painting Group and decided I would like to get a little more work done on these three paintings that I had started last year (see posts on 20 and 31 October and 23 December 2015).

Although they had worked on the heating system at the church and taped up the gas leak until the parts for the repairs arrived and the work could be completed, you could still detect a slight gas odour and we kept the windows open. Needless to say, I didn't stay very long.

I worked back and forth on all three of the paintings.

Toadstool 1

I wanted to get the background completed so I could work on the toadstools next.

Using Antwerp blue with a small amount of French ultramarine blue added, I washed in the sky on the first painting then set it aside to dry.

Using the same colour for the first sky I repeated this for the second and third paintings.

By the time I was ready to work on the first one again it was dry and I didn't have to wait.

Toadstool 2

With a mix of burnt sienna and French ultramarine blue I indicated the background tree trunks in the paintings.

With various mixtures of the sky colour with raw sienna, burnt sienna, alizarin crimson, aureolin and new gamboge I added the leaves onto the trees, being sure to leave some of the sky colour showing through the leaves.

With French ultramarine blue and a mix of raw sienna and aureolin I put in the background grass.

Toadstool 3

I will post each of these paintings once the friskit is removed and the toadstools are painted.

Evening on the Lake - A Work in Progress

I took out this painting that I had started last year (see post on 29 August and 08 December 2015) and decided to at least put in the sky and water.

First I lightly drew in the horizon line with a pencil.

I wanted to create and evening scene and to do this I used a mix of alizarin crimson, cobalt blue and French ultramarine blue.

I brushed in the sky above the horizon line with diagonal strokes.

I left a few little spots of the white paper showing and used horizontal strokes to midway down the bow of the boat.

Below the boat I left an area of white for the top of a wave and swept the paint upward into the white.

I will post this painting at a later date once I put in the background and remove the miskit.

Thank you for taking the time to visit my blog and enjoy the artwork.

Countryside Art Group Blog - Show Updates

On the first of each month I will update the Countryside Art Group's blog with a listing of shows where the various artists in the Group are exhibiting their work.

If you get a chance come out and visit them at one or all of the shows.

ACEO - Tied Up 1

We may have an early spring this year as a flock of Red-Winged Blackbirds arrived today to join the four that have been here all winter.

I thought that I would like to complete this little piece that I had started a few years ago (see post on 22 June 2013).

I started by putting in a sky using Antwerp blue, followed by indicating the beach at the bottom of the paper using raw sienna.

I added a little burnt sienna to the sky colour and brushed in the waves on the water leaving a few white areas for the white caps.














To the wave colour I added French ultramarine blue and more burnt sienna and used this mixture to put in the land masses on the horizon line.

With raw sienna and blue I put in the a few trees on the closer land mass.

Now it was time to put in the boat. I started with alizarin crimson and painted the gunnels.

Using a dark of French ultramarine blue and burnt sienna I put in the mooring line, then lightened the colour with water and painted in the hull of the boat.














Lastly, I added a few darker areas on the sand at the edges of the waves with raw sienna and burnt sienna.

If you would like more information about ACEO please go to my post on 11 March 2010.

The ACEO shown here is an original watercolour painting using Artist quality Winsor & Newton paint on 140lb. Arches 100% rag, acid free watercolour paper. It is priced at $20.00 and sold unframed.

Buckhorn Artists' Group Blog - Show Updates

I have updated the Buckhorn Artists' Group blog with a listing of shows some of the various artists in the Group are exhibiting their work in during the month of February

If you get a chance come out and visit them at one or all of the shows.

Sailboat 3 and 4 Two Works in Progress

It has been an interesting day, weather wise. Last night it was snowing and during the night the temperature rose and we had about four hours of freezing rain before it changed to rain. Needless to say this made sliding down to the barn to do the chores on the wet ice covered road not a lot of fun.

When the rain stopped and the sun came out the temperature continued to rise giving us a summer like afternoon of 52F (11.1C) and the day ended with a beautiful sunset.














Since the weather was so miserable in the morning I pulled out these two paintings that I started last year (see posts on 29 August and 29 October 2015).

I worked back on forth on both pieces and started by painting in the water with various mixtures of Antwerp blue, French ultramarine blue and burnt sienna.














Sailboat 3

Next I worked on the sky using both of the blues and left some of the areas in the sky white for the clouds.














Once the sky was dry I washed in a small amount of raw sienna and new gamboge into the bottom of the clouds to five the painting a little warmth.

Then set them aside to dry completely before removing the miskit.














Sailboat 4

I will post each of these paintings at a later date once I complete the sailboats.

Thank you for coming to look at my artwork and I hope you will return often.